Posts Tagged ‘Karl Lagerfeld’

Scent of a Woman

July 20, 2012

 

Source:scottcentral.dds.bschools.ca

For as long as I can remember I have loved books. I used to make my parents read me the same stories over and over again until I had them memorized and then I would recite them verbatim, impressing their friends and my aunts and uncles by telling them I was reading. When I actually did learn to read you couldn’t get my nose out of whatever book I was reading. My dad, an English teacher, would take my sister and I to the library often to ensure we always had a stack of books to pick from, especially during breaks from school. Even the fact that I got motion sickness from reading in the car couldn’t tear me away from a good story. I once vomited on a whole stack of library books strewn across the back seat, angering my father who then had to purchase all of the books and upsetting me who couldn’t finish the one I was reading. From then on I was sedated with Gravol for road trips. My favorite books of all were the new ones I was able to order every few months through the Scholastic Book Club at school. The catalog would come and I would pore over it oh so carefully, feeling heavy with the weight of my decision. Would it be The Babysitters Club or Sweet Valley High? Oh dear. Finally the books would come, packaged together, banded with an elastic. I remember how those books felt, their smooth covers, the way they smelled when you first opened them, the freshness of the new, crisp pages. I still appreciate the joy of a new book.

Source:bookpatrol.net

Does this interest you? Perhaps not. But perhaps my memories have evoked some fond ones of your own. Maybe you, like me, will be interested/amused/disturbed/skeptical/elated to learn that the new book smell is now available as a fragrance. That’s right. There is a new perfume out called ‘Paper Passion’ which “conjures the smell of your newest bookstore purchase”. It is a collaboration between Wallpaper magazine, German book publisher Gerhard Steidl, fashion designer extraordinaire Karl Lagerfeld who designed the packaging, and perfume designer Geza Schoen who perfected the scent. For $115 you get the perfume cleverly packaged in a panel inside of a book with it’s same name. Why a perfume that smells like paper?? According to Steidl “To wear the smell of a book is something very chic. Books are players in the intellectual world, but also in the world of luxury,” Chic? Hmm. Some books or series have gained cult status. Examples: The Secret, the Twilight or Hunger Games trilogies, the Harry Potter series, and the recent racy 50 Shades series. Devouring these books along with hordes of others can make a woman feel like part of something, give her a sense of belonging in a community. By reading works by undiscovered authors, or touching on controversial or unsavory material some may be trying to showcase their individuality and their desire to go against the grain, and perhaps their dissent from and hostility towards popular culture. Depending on genre or subject matter, possessing a certain book can make a woman feel sophisticated or intelligent or worldly. And apparently it’s looks and not just smell that matters when it comes to books. Recently publishers have been revamping the covers of their classics in order to attract more readers. Splinter, a division of Sterling publishing, hired Manhattan fashion illustrator Sara Singh to do the watercolor-like illustrations for the covers of their Classic Lines series. With the worlds of fashion and literature colliding perhaps books are becoming chic after all.

Source:walkingpaper.org

Let’s explore further. Scent is very much tied to memory and emotion. While the smell of a new book may lead men to think of sexy librarians, I doubt it will conjure up such racy imagery in women. Most women I know wear perfume because they like the smell but also because they like the way it makes them feel (sexy, happy, confident) or it evokes a nice memory. The smell of a book makes me think of my childhood, and it makes me feel happy and content. I have described some of the memories it conjures up above. Perhaps such warm, fuzzy feelings would be incentive for some women to make this perfume their signature scent. Only time will tell how sucessful this product will be, but if the popularity of similar products are any indication, Mr. Lagerfeld may want to stick to selling clothes. For example, the perfume “In the Library” by renegade perfumer Christopher Brosius with scents of paper, leather, and even dust, has managed to slip under the radar of popular culture.

The problem is that while many people love the smell of paper, much like many love that “new car smell” or the smell of gasoline (some people do!), I don’t know that a desire to wear this scent follows the adoration for it. When I long for the smell of a book, I can go to my bookshelf, inhale deeply and drink it in. I can go to the local library or bookstore for an extra dose. Some predict a day when books are no longer available. When ebooks and tablets will be our sources of literature. My children may never experience that new book smell. In that case I may wish I had a bottle of ‘Paper Passion’ available to waft under their little noses as I tell them all about my childhood and the wonder of holding a new book in your hands and opening it for the first time, the cover still stiff, eagerly anticipating the unknown world inside. Perhaps this perfume should be “put on the shelf” for now. Pun intended.

Why do you buy? (And no one asked you Karl Lagerfeld!)

June 13, 2012

The June issue of Elle Canada magazine features an article by Ben Barry (a modelling agent) titled “New Business Model” which basically summarizes his Ogilvy Foundation funded, Cambridge University thesis research regarding how “models-depending on their size, age, and race-influence purchasing decisions.” He notes this research differs from the majority of research into the use of extremely thin models in advertising which has traditionally focused on the impact this can have on women’s body image. As in it has already been scientifically proven that looking at gorgeous, thin, photoshopped models makes women feel crappy. Mr. Barry used a study group of more than 2 500 women aged 14 to 65 and sizes 0 to 18 from a variety of ethnic groups. He had them look at fake fashion ads all featuring the same product but with different models. The models differed in size, race, and age. He asked the women their purchase intentions when they looked at the pictures of women with similar and dissimilar sizes, ages and races as themselves. After the study, he also facilitated focus groups to discuss with the women why they may have made the decisions they did.

I think pretty much most women can guess what the results were. Women increased their purchase intentions more than 200% when the models in the mock ads were their size. When the women were over size 6 this increased to 300%. Purchase intentions also increased substantially (175%, 200% in women over 35) when women saw models their own age. Black women were 1 and a half  more likely to buy a product if the model was black. Why? In focus groups women explained that they could better imagine what the product would look like on them when the model looked like on them.  Would it look good on their body type? Would it be age appropriate? Would it look nice with their complexion?

Mr. Barry did not just do this research for his own interest’s sake. His ultimate intention is to show fashion companies that it would be fiscally wise for them to use a more diverse range of models in their ads and in their fashion shows. That it would attract a broader range of customers. As most of us are aware, most models in magazines are strikingly similar in terms of body size and shape. Even so-called “plus size” models are often smaller than the average American woman. And when was the last time you saw a woman in her late 30’s or 40’s (or older!) advertising anything fashionable? It is rare, unless it is an actress who has botoxed herself back to before she married Ashton Kutcher. Barry quotes the legendary and distasteful Chanel designer Karl Lagerfeld (most recent offense being calling singer Adelle fat) “Unreachable beauty is a reminder to make an effort. But if you see something, and you can reach what you see, then you do not have to make an effort anymore.” Blech. I guess that explains his face.

Oompa Loompa

Karl Lagerfeld

While I agree that doing sit-ups with a picture of Gisele Bundchen on your ceiling may be quite motivating, I doubt most women would look at her in a bikini and want to run out and buy the same one. Watching the Victoria Secret fashion show does not make me feel like any sort of angel. The recent trend of using very young actresses to sell adult designer clothing lines, such as Dakota and Elle Fanning for Marc Jacobs or Hailee Steinfeld for Miu Miu is very perplexing to me. I don’t look at a child in an outfit and imagine myself in the same one. Most children and young adults I know could never afford designer clothing. It would only seem rational to target advertising to the middle aged women with established careers who are actually buying these clothes. On the other end of the spectrum, many ads show women my age (30ish) wearing incredibly short shorts (bum cleavage? Please!), jeggings, crop tops, or neon. I have no desire whatsoever to relive my teens. I have also seen ads  for skirts, suit jackets with bras underneath, or see-through  button-downs portrayed to be career wear. If I get fired, will Karl Lagerfeld hire me in Oompa Loompa Land? If I promise to keep reaching for that unreachable beauty?

Once and a while you will see a glimpse of a model in a magazine who doesn’t look emaciated, or who has a wrinkle on her perfect forehead. More and more fashion shows will send out 1 or 2 “plus size models” down their runway. Perhaps research such as Barry’s will help to convince fashion companies that diversity and a touch of reality in fashion is not a bad thing. I think Karl Lagerfeld is a lost cause. However the fashion world is ripe with successful female designers both established and up-and-coming who will hopefully have a better grasp on the female market and on the female psyche. Until then we will just have to rely on our own common sense, honest friends and camera phones to guide our purchase intentions. Just never trust the change room mirrors. They lie.

THE ISRAELIS ARE WINNING

March 28, 2012

Ad banned in the UK for "highly visible ribs"

 

On Monday, Israel put into effect a law regulating the use of extremely thin models within the Israeli fashion industry. The law bans fashion houses and advertisers from using models with a BMI less than the World Health Organization standard of normal (18.5). Models must provide a medical report no less than 3 months old at every shoot or fashion show stating she is not malnourished. The law also forces advertisers to put a disclaimer on any image that has been edited or altered in way which makes a model appear thinner so that young girls and women will know the image is not realistic. This rule does not apply to foreign publications imported into the country. The legislation comes as a response to the relatively high incidence of eating disorders in the country, where approximately 2% of girls age 14-18 have anorexia or bulimia. This is similar to rates in other developed countries. While Israel isn’t exactly a mecca of high fashion, this ban has created a buzz all over the world, and we can only hope other markets will follow suit. It shows that someone is paying attention to the effect the fashion industry has on its consumers, and how the fashion industry responds will show how much accountability they feel to the people who perpetuate and escalate its growth, both the models who sell the clothing and the women who buy them.

This is not the first we’ve heard of a country or city putting restrictions on models used in shows. In 2006, in Madrid, the Spanish Association of Fashion Designers was the first body to put a ban on overly thin models. While not a law, there was a guideline put in place that models have a BMI of at least 18. At that time, Cathy Gould of New York’s Elite modeling agency accused the agency of using the fashion agency as a scapegoat for anorexia and bulimia. The ban in fact originated after backlash following the death of a 22 year-old anorexic Uruguayan model of heart failure after starving herself for a show, and shortly thereafter the death of a Brazilian model of complications of anorexia. Following fashion week in Madrid, Milan followed suit that same year. In Milan models were required to produce a medical certificate declaring them healthy with no eating disorder, and stating a BMI of at least 18.5. The models also needed to be at least 16 years of age. This was also not an outright ban, but a guideline requiring “self-regulation by the fashion houses”. Even Mario Boselli, the head of Italy’s National Fashion Chamber did not seem to take it very seriously, stating that only “maybe one girl in a hundred’ in the shows was too skinny. In fact, the average model is 5’11’’ and 117 pounds. This gives her a BMI of 16.3. She would have to weigh 133 pounds to achieve a “normal” BMI of 18.5. The average US woman is 5’4’’ and weighs 140 pounds and has a BMI of 24.  Designers had mixed opinions about the ban. Many supported it, such as Emanuel Ungaro designer Giles Deacon who said  ”At a certain period in time, the fashion industry was portraying this image of a totally unrealistic woman, women who are not allowed to be themselves. It’s just all a bit wrong.” Many did not approve of the change. Outspoken Chanel designer Karl Lagerfeld said that fashion is about “dreams and illusions, and no one wants to see round women.” Oh, Mr. Lagerfeld. There are no words.

There are many arguments that have been made against regulating the fashion industry. Some may say BMI is not a great indicator of health status or nutritional status as it is unreliable. It is true that BMI calculations can be unreliable in some cases, for example in children or the elderly, people who are very muscular, or women for example with very large breasts, or even amputees. I can’t think of a fashion model who meets any of these criteria. Some argue that there are women who are just naturally very thin and we shouldn’t punish them for this. I agree that there are those women who are naturally tall and skinny. We all have those girlfriends who for as long as we’ve known them have been twigs, eating twice as much as anyone you know and never being able to gain a pound. That girl everyone tells “You should be a model” even when she’s in her awkward ugly duckling stage because girls that tall and skinny are always models. But these girls are few and far between, and even these girls are very often not as bony as the girls we see on the runway. Should a girl like this be excluded because her BMI is 18.3 instead of 18.5? Maybe not. But there has to be a line drawn somewhere. And as for Mr. Lagerfeld’s  statement that women like to look at “illusions” on the runway? I think that most women would rather see clothing on a real woman. When a woman looks at a size zero model wearing an outfit and she is a size 10, she has no “allusions” that outfit will look the same on her. (Hahaha)

Fast forward to now and we have actual government legislation in place in a country protecting models in an industry that up to now has promoted an unhealthy body image, as well as helping shield impressionable young girls and teenagers from images of unachievable ideals. There is some rumbling of similar legislation being discussed in France and in the US. An ad was recently banned in the UK for portraying a model with “highly visible ribs”. Australia has come up with a new code of conduct for the fashion industry. If key recommendations are met, such as not using female models that are excessively thin or male models that are excessively muscular, not using cosmetic surgery or rapid weight loss ads in magazines, putting disclosures on altered photos, not using models under 16 and stores stocking a wide variety of sizes then the fashion labels, modeling agencies, and magazines which comply will be awarded with the youth minister’s stamp of approval. We are not anywhere close to being there yet, but people are recognizing there is a problem and talking about it, and that is a good step in the right direction.